Friday, March 23, 2012

March Author Series #17: Messenger of the Written Word by Alyssa Reyans

Do the voices in your head keep yelling at you until you HAVE to write down what they say? Then, you might share something in common with Alyssa Reyans and others like her (me), who live only to dictate what the muse of the hour tells us to write. Read on!

Messenger of the Written Word

 First I’d like to thank Mysti for having me. It still seems weird to consider myself an “author”. Even though I look at my book 250 2 times a day on Amazon. While I have many inspirations for the words that filter from my fingers to the world, I still can’t see myself as a writer. For me I’m only a messenger between the world of words and the world of ears. I write the words the voices in my head tell me to write. At times I have little say over which words come out and which ones stay in. This has often caused many an argument because I am the one that has to defend the message even though I’m not really the one who said it. I merely repeated it. I’m sure by now you probably think I’m just totally insane.

Buy it HERE!
You’re not too far off if you have that thought.  For insanity is the inspiration behind much of my writing. You see, I’m a memoir writer. I’ve recently begun writing my memoir, Chronicles of A Fractured Life. To look at me on the outside, you can’t really see the broken parts or the pieces held together by worn out tape. I look pretty whole and complete. On most days I am, but on others I’m not. I’ve finally realized there’s nothing wrong with wearing clothes made of worn out tape. It’s rather different and I quite like being different. I see the world through a unique pair of eyes and ears. Windows and doors open for me that are closed for others.

There was a time I feared those opened windows and doors but no longer. I’ve learned to harness them. A little.

But the biggest inspiration of all is my children. It is the hope my words will be the connecting piece of the puzzle that brings us back together. If that means releasing the words and syllables trapped inside of me out into the world, then so be it. I shall be the messenger for the written word. And someday maybe my children will see those strung together syllables and know they were the inspiration behind it all. They’ll realize how loved and cherished they were, and they’ll know that even though I wasn’t there, my love for them always was.

Love and insanity along with the occasional lust, those are my inspirations. What are yours?


****
Alyssa Reyans is an American expat. Originally from the deep south, she converted to Islam in 1994 and moved overseas in 2005. In 2008, she met the love of her life, married him, and has been keeping him hostage ever since. She currently resides overseas with her husband and two cats where continues her daily battle with mental illness and the ghosts of her past.

As a special thank you to Mysti and all of her followers for having her, she's having a giveaway on her blog for a signed paperback copy of the first book in her memoir series, Letters from A Bipolar Mother, and a $10 Amazon gift card. To enter, just visit her site http://www.alyssareyans.com and enter via rafflecopter.  
                                                    **Open to US residents only** 




Thursday, March 22, 2012

March Author Series #16: Challenge Accepted by Stefanie J Pristavu

Have you ever written for spite? Been so frustrated at today's literature that you just had to protest in writing...not by an angry letter, but by your very own book? Or did your friend dare you to write the next best thing? See how Stefanie J Pristavu tackled some of those challenges and is still swinging!

Challenge Accepted


First off, I come from a rather large family – I have two brothers (which down here is a large family). Why is that relevant to my writing? Because I've spent most of my childhood playing pretend. And when I was old enough to write, my bestfriend told me she'd started writing a book.

I was like... 'Hmmm... a book you say? I can do that, too. You're on!'

And we wrote side by side until I actually wanted more. She treated it like a mindless hobby, I persevered – coming up with more characters, plot points, settings... my brain was a mess. I set out to write the best book series the world has ever known. And... I'm still working on it.

But, let's leave ancient history behind. How do I do things now? I'll confess that most of my writing comes from accepted challenges.

From memegenerator.net (hee hee)
For instance, I got the idea for Hunters while I was in Prague with my Mom. Mind you, I was reading 'Interview with the Vampire' right then and thinking... wow, this is kinda boring, but has some great elements in it. How would it look like if those elements were combined in some different ways? 

Challenge accepted! I ended up writing about Hunters. And the setting helped a lot.

Saving Grace was me screaming my lungs out at all the bad-New York Times #1 Bestseller-fallen angel books I read last summer. Fallen had some good things, but the plot was not one of them. Could I turn the bad things into good things and make something completely different? Challenge accepted!

What both books represent? My frustration at the heroine always being human while the guy has the special powers and lack of personality. I want my women to be strong and equal to the men. It's how it's meant to be.

The thing is, every time, after the initial glint of the idea shimmers through my mind, the writing bug takes over. I write and write and write, and when I go back to edit, I can't even remember how I got a prticular idea for a plot twist, because, right now, even I wouldn't have thought about that one.

I rise to the challenges my imagination sets for me. So, the next thing I write (I already have an inkling) will be another challenge accepted.

That's right. I write to spite people. Or myself. Mostly myself. Especially when the characters run amok. But they all reach their destination in the end. ;)

****

Born and raised in Romania, the only girl amongst two brothers, Stefanie has spent her childhood playing pretend and inventing characters. Once she actually learned how to spell in English, she started writing the adventures of her alter egos. Hundreds of thousands of words and thirteen years later, after two years of learning the craft of writing, Steph still tests the waters of her imagination, coming up with stories and characters. Her first Paranormal Romance novel Hunters will be released in July 2012 from Melange publishing.


Wednesday, March 21, 2012

March Author Series #15: A Little Inspiration Courtesy of Broadway by J.A. Beard

The hills are alive with the sound of...inspiration? See why JA Beard is really glad he got a last minute ticket to a musical, and see why a little bit of Broadway might be just what you need to pump a little feeling into your story. Read on!


A Little Inspiration Courtesy of Broadway

Underestimating the popularity of a Broadway show almost killed The Emerald City before I wrote down a single world. The story, though I now love it, was not birthed from some deep and long-lasting desire to write a modern young adult urban fantasy version of The Wonderful Wizard of Oz. While I’ve always liked the original Oz book, I’m really more of Alice in Wonderland man. So why do I now have a story about a Kansas girl and her heartless, cowardly, and scatter-brained friends instead of a story about a girl named Alice? Musicals.

"Wu's Wok makes me a bit
green too, Miss West." 
I happen to love musicals. After watching a concert version of the musical Chess on PBS one night, I became intrigued with some of the performers, in particular Adam Pascal and Idina Menzel.  I acquired several l cast recordings of some their respective Broadway works. As it so happens, Idina Menzel originated the role of Elphaba, The Wicked Witch of the West, in the Broadway version of Wicked. For those of you unfamiliar with original book, it’s a revisionist take on Oz that presents The Wicked Witch of the West as a sort of tragic figure.

When the Broadway traveling show of Wicked rolled into town, I eagerly snapped up a ticket.  Well, I attempted to snap up a ticket at least. Apparently buying tickets only three hours after they went on sale was enough to ensure I could only get matinee tickets for the final performance day.

I loved the show. I also found myself inspired by the show. All the music and angst planted a seed of a new idea in my head. I knew I wanted to do my own take on Dorothy Gale and Oz, but something that was a bit more modern. Even the musical structure, in a way, worked its way to my story. Singing plays a key role in several chapters of my book.

At the time, I was actually working on something completely different, a Regency paranormal romance. Once I finished off the main draft of that book, I decided I would work on this new Oz-inspired book a little bit each day as well.  That was December of 2010.

A “little bit each day” became “four to six hours each day.” By the end of December, I completed a first draft. Things had already changed a lot just in that one month. Characters and plot points were adjusted. My lead, Gail Dorjee, went from a juvenile delinquent to more of a law-abiding but hot-headed type.

Something just wasn’t there. I liked the story and the characters, but I just wasn’t feeling it. The Emerald City was supposed to be a story about a girl hurting from the loss of her parents and sent away from her Kansas home to Seattle against her will. For all the supernatural weirdness that occurs, the story was supposed to be a strong emotional journey as well. I wrote the darn thing, but the emotions came across as muted.

See Links Below to BUY!
So I rewrote the entire manuscript. Now, it’s not as bad as you might think. What I did was transform the third-person manuscript into a first-person manuscript. I shuffled some scenes around and added a lot of emotional insight. After those changes, the story finally spoke to me. My lead, Gail Dorjee, finally seemed real. Fortunately, my beta readers and editor also liked the changes. 

At times I wonder about my last day Wicked tickets. If I’d waited a few more hours and the show sold out, it very likely might have been years before I was inspired to write this book. I guess it was a good thing I got up early that day.

****

J.A. Beard likes to describe himself as a restless soul married to an equally restless soul. His two children are too young yet to discuss whether or not they are restless souls, but he’s betting on it. He likes to call himself the Pie Master, yet is too cowardly to prove his skills in an actual baking competition. So, really, he’s merely a Potential Pie Master.

While writing is one of his great passions, science is another, and when he’s not writing or worrying about baking, he’s working on the completion of his PhD in microbiology.

He blogs at riftwatcher.blogspot.com and is on Twitter as @jabeard_rf.

His current release, a young adult urban fantasy, THE EMERALD CITY, details the transition of a Kansas teen to a sinister Seattle boarding school. It’s available for sale at Amazon, Barnes and Noble, Kobo, and Smashwords.

Tuesday, March 20, 2012

March Author Series #14: Top Five Story Beginnings by Tori L. Ridgewood

As you might guess, some of us writerly folk get our inspirations from a myriad of things. Take a look at some of Tori L. Ridgewood's inspirations. Can you relate to these?


Top Five Story Beginnings


(in no particular order)
  1. Dreams
  2. What If?
  3. I see what you did there...
  4. This one time, at band camp...
  5. Submissions needed!
1) Dreams

Some of my stories come out of dreams.  I dream very vividly, and I am a lucid dreamer.  It’s difficult to prove, but I can read in my dreams, and control them.  It’s rather addicting, actually.  I have recurring visions while I sleep, delightful mysteries and intrigues that draw me along.  For example, about a year ago I had a magnificent epic involving teenagers who stumbled upon a wizard’s staff which changed them all into different kinds of fae:  a nymph, a mermaid, an elf, and a gnome.  They were only in their fae forms during the dark, changing back by dawn.  For a few joyous days, they used their gifts to play pranks on the general populace and steal things, under the leadership of the girl who became the gnome.  And then three of the four are kidnapped by fae regulators, who didn’t appreciate the adventure.  The girl who is the gnome cannot change back without the others, and they are also stuck.  With the help of a sympathetic creature, the girl learns that she has three days to find them, until the full moon.  If she can’t rescue them by that time, they will be trapped in the fae world forever.  
I don’t always write dreams like this one down, unfortunately, but I do try.  The flavour always stays with me.  

2) What If?
Buy it HERE!
I have read in various articles and heard at various workshops over time that one of the great ways to begin a story is to ask the question, “What If?”  This is how I began the Talbot Trilogy (currently in progress), and its prequel novella, “Mist and Midnight” (Midnight Thirsts Anthology, Melange Books) I think about the unusual and absurd events in our world, and consider alternate explanations or causes for the phenomenon.  A street collapses in a sleepy little old mining town -- was it simply that the old mine supports gave way, or is something darker happening?  What if the street collapsed because something older, imbued with malevolent magick, was trying to get free?  And if so, who or what put him there?  And what happens when he escapes?  The story grows from the answers.
Another example is “A Living Specimen”, soon to be published in Midnight Thirsts 2, (Melange Books).  In that case, it was a picture shown to me by my husband that made me immediately ask the question.  The picture, based on the internet meme “what you see it”, shows a tasteful living room with an incredibly creepy face under a couch cushion.  Who is it?  Why is he there?  What if he’s there for a reason?  
I find asking “what if” is incredibly freeing.  It’s one of the essentials of exploring a narrative.  Tonight, as I write this, the lightning is flashing and thunder is rumbling for the third night in a row.  My eleven-year-old son said to me earlier, grinning delightedly, “What if this is the beginning of an alien invasion?”  Oh, the stories that could begin right there!  And yes, it’s been done in movie after movie (the arrival of extraterrestrials announced by storm-like activity), but that’s all right.  Because our story would be different.
And that leads me to... 
3)  I see what you did there...
Hee, hee. 
Sometimes, I write in response to someone else’s narrative.  For example, my current work in progress, The Talbot Trilogy (Wind and ShadowBlood and FireStone and Wood) is my answer to some of the ideas or questions posed in the Twilight series.  I enjoy Stephen King, Anne Rice, Tara Fox Hall, John Steiner -- each take on the vampire mythology is at once reflective and unique.  For the longest time, I worried that my interpretation would not be as refreshing and different as I would like.  The worst that I could feel is that someone sees me writing over again what has been written before.  And yet writing in response to someone else’s work is, in a way, a compliment.  A discourse on the nature of the thing.  My vampires do not glitter, but neither do they heal perfectly when injured.  And the question of what happens to the human soul when an individual is made a creature of the night -- I am eager to explore that one.  
I am inspired by the tapestry of the narrative around me, and I wish for my writing to fit as a glittering thread within it.

4) This one time, at band camp...

Yes, I actually went to band camp!  Although I have not yet written any stories based on this experience, I do believe that writing what I know in combination with my imagination produces unforgettable stories.  
Buy it HERE!
“Telltale Signs” (Spellbound 2011 Anthology, Melange Books) is a good example of writing from experience, in combination with fantasy.  The main setting of the story is a haunted museum, closely based on a real museum in my town.  I have never experienced paranormal activity in the building, but I have spoken with many who have.  I have thought about those stories, and wondered whether I would experience the same.  Coward that I am, rather than offering to spend the night in the old mansion as an experiment, I wrote a first-person present-tense narrative, using my own experience as a museum employee.  The result was incredibly pleasing -- I wrote most of it over two days and a night, swept along in the story.
5) Submissions Needed!


To tell you the truth, sometimes it feels as though the story has chosen me, or is telling itself to me, instead of the other way around.
Nothing happens in a vacuum; everything has an origin.  Much of the time, I dream of ideas, or consider what-if scenarios, or combine these in some way with my own experience, just for fun.  
But since I finished “Mist and Midnight” in 2010, I have discovered that perusing the submission lists for various publishers definitely gets the gears turning!  “Telltale Signs” was written in response to a call for submissions, as were “A Living Specimen”, and “Tabitha’s Solution” (soon to be published in Having My Baby Anthology, Melange Books); in addition, I am working on an alternate history horror story based on the Salem witch trials, and a second baby story, all inspired from the anthology requirement listings.  I find that sometimes it helps to have a target in mind.  This enables me to focus on bringing together my imagination, life / work experiences of my own or others, and branch out by asking “what if?”, to craft a story that will draw in my readers.
****

Tori L. Ridgewood is a full-time secondary school teacher, a mother, a partner, and a writer and reader of all things fiction and non-fiction.  Her published works include “Mist and Midnight” (Midnight Thirsts, 2011), “Telltale Signs” (Spellbound 2011), “A Living Specimen” (Midnight Thirsts 2, 2012), and “Tabitha’s Solution” (Having My Baby, tbd).  Tori enjoys writing plays for her students, watching thunderstorms, walking her dog, needlework (quilting, cross-stitching, and embroidery), collecting miniature furniture, traveling, and watching movies.  Currently working on a trilogy of adult vampire novels to follow “Mist and Midnight”, Tori also plans to write young adult fiction in the near future.

Twitter:  @torilridgewood

Facebook:  Tori L. Ridgewood



Monday, March 19, 2012

March Author Series #13: Don't Push by BC Sirrom

Are you a plotter or a pantser when it comes to writing? Meticulous outlining Jedis beware! See how B.C. Sirrom and others (ahem, like me) have taken to the Dark Side of inspired writing. Read on and see why!

Don't Push

I don't outline.

I don't have a method or a formula.

Buy it HERE!
At any given time I have three or four stories running in my head. (Doctors probably have a name for that.) I started writing my stories down while I waited for my husband to get out of a night class. I scribbled and doodled in small sketchbooks. I graduated to the computer once I had finished my first story, Solstice Night. I store the drafts in my Google Docs, so I can work from any computer with an internet connection. If I think of something, I can easily type it up. I have a full-time job (not in the literary industry), so I write what I can, when I can. If I am not feeling connected to the story, I move to another one or quit writing. My stories originate with the characters. Sometimes they emerge fully formed. Other times they are born from a single line of dialog. I set a scene in my mind. Then another scene. The chore I have in writing is connecting the scenes that occurred organically with a well-structured narrative.

Stories should be enjoyable to both read and write. That's why I began this venture in the first place. My approach may not work for the 'real' writer, the one with the agent and deadlines. Publishers, even small presses will accept submissions of just the first few chapters. If they accept it, then you have a real timeline to worry about. However, I circumvent deadlines by waiting to submit until I have a complete manuscript. Then I can write at my own pace. So far I have averaged two manuscripts a year which is typical, but I don't feel the added burden of meeting a set completion date.

Don't be afraid to set a story aside. I had a strong beginning to a story. The characters met, sparks flew and then....fizzle. Everything that came after felt forced. So I shut down and did something else. A few weeks later, I made a decision about the story. I changed the genre (from romance to paranormal romance) and the point-of-view (from third person to first person). The writing felt more comfortable. As a personal discovery, I've determined that if it feels awkward to write, it will be unbearable to read.

****
Originally from rural West Virginia, Sirrom currently lives in Tennessee with her husband. She studied architecture and landscape architecture, earning degrees in both. She loves creativity in all its forms: art, music, literature, etc. B.C. has always enjoyed storytelling, but until recently never put one of her stories to paper. Writing began as a way to relax during graduate school. No one knew she was writing until her first novel, Solstice Night was under contract. She writes stories that she would enjoy reading, such as fantasy, sci-fi, mystery and paranormal romance. Now working full-time, B.C. still finds time to write every day…well, almost.

Visit B.C. at her website: http://bcsirrom.wordpress.com/

Friday, March 16, 2012

March Author Series #12: No Sex Please! We're British by Jenny Twist

I always love having the fabulous Jenny Twist on here. In her usual wittiness, she shares something she was NOT inspired to write. Please read on to see why she insists on...
No Sex Please! We're British

I must have been about eight or nine when I first came across the concept of sex. One of the boys in my class announced that he knew where babies came from and proceeded to give a detailed description to the class. I was shocked to the core of my being! I told him just what I thought about his disgusting suggestions, and gave him several jolly good reasons why it couldn't possibly be true, finishing with “my Mummy and Daddy would never do a thing like that!”

This last argument was so compelling that I convinced the rest of the class, thus setting back their sex education by several years.

There was, at that time, no formal sex education in British schools. I think it was introduced when I was about thirteen or fourteen. By that time my knowledge of sex had increased a little. One of my friends was convinced that you could get pregnant by kissing and she took to brushing her teeth with a frequency and vigour that made me fear for her enamel. I, of course, was far too intelligent to believe in anything so ridiculous. I knew it was all to do with belly buttons. This belief was somewhat shaken when a copy of “Lady Chatterley's Lover” was circulated through the school with the rude bits thoughtfully marked by turning down the corner of the relevant pages. I read all these passages assiduously but was unable to make any sense of them. But I can tell you that it didn't mention belly buttons at all!

If you must spawn, please do so
responsibly!
Our formal sex education lesson was included in series of lessons headed “Hygiene”, which covered such arcane topics as “how to clean your gym-slip with a toothbrush” and “how to repair a ragged hem without shortening the garment” - information which was totally useless to us, as our mothers cleaned our tunics and any adjustments to skirt length were being made upwards, in order to conform with the mini-skirt revolution. The sex education lesson, however, looked like being of much more interest and we attended the class on that morning in a state of pleasurable anticipation.  The teacher, however, seemed rather ill-at-ease and spent some time shuffling papers on her desk before finally launching into a detailed description of the reproductive cycle of the frog. We exchanged bemused glances. This wasn't at all what we had been expecting. The teacher gamely struggled on, getting redder and redder with embarrassment until she finally reached the end of her reading. Then she closed her book and looked up at us for the first time. It must have been apparent from our expressions that we expected more.

“And similarly with human beings,” she said, and fled from the room.

Now, I don't know how it's done in your family, but I can assure you that no member of mine had ever been known to lay frog-spawn. Not to mention the nasty sticky business of having all those males clinging to you for dear life, doing unspeakable things behind your back.

Baffled, we left the room, still no wiser.

Fortunately, some of my fellow students were quite knowledgeable and were prepared to impart useful information behind the bike sheds.

Here are some of the more vital points of which you need to be aware:
1.      You cannot get pregnant if you do it standing up.
2.      You can only get pregnant if you both climax at the same time. (Tricky one, this, as it's impossible to predict).
3.      If you want to have twins you have to do it twice in the same night.

Armed with this essential information, I felt confident to launch myself into the sexual revolution.

And, guess what? To my horror, I discovered that it was exactly as that disgusting little boy had described it all those years ago. My mother and father must have done it. At least twice!

Think about it. Your own parents! It's enough to put you off sex for life!

Given my inauspicious start, it is no wonder that I choose to keep sex scenes behind closed doors.
It is perhaps because the British culture abhors any mention of sex in public that you very seldom come across explicit sex in British literature, D. H. Lawrence being the exception that proves the rule. We have become masters of the innuendo, demonstrated at its most blatant in the Carry On films.

Buy it HERE!
I am happy to hint at sex in my own books, as in, for example, this scene from Domingo's Angel:

     He looked up at her and smiled. “Angel,” he said, reaching up to caress the nape of her neck. She moaned slightly and shifted in the bed. He raised himself up on one elbow and pushed her down onto her back.
     “Domingo, she said, “there isn’t time. It is the feria today.”
     “Now, Angela,” he said sternly. “You know very well that the feria will not begin until midday. There is plenty of time.”
     The marmalade cat got down from the bed and discreetly left the room.

But I draw the line at describing exactly who did what to whom and in which orifice. I'd much rather have a nice cup of tea.

That's the British for you!

 ****

Jenny Twist's stories are guaranteed sex-free, although she is unable to vouch for those of some of the authors she shares anthologies with. She would, for instance, advise all British readers to avoid Curious Hearts at all costs, containing, as it does, one moderately smutty story and two downright filthy ones.

If you would like to know more about this remarkably smut-free author, you can visit her website at: https://sites.google.com/site/jennytwistauthor/
or follow her on:

Amazon: amazon.com/author/jennytwist
Facebook:
https://www.facebook.com/pages/Jenny-Twist-Author/291166404240446


Thursday, March 15, 2012

March Author Series #11: Attacked by an Elf by J Andrew Jansen

Have you ever had a  character nag you until you just had to set to work on his or her story? See how this happened to writer J Andrew Jansen. I've had great fortune of seeing this particular (though not cuddly) character of his in action. Read on!


Attacked By An Elf

This is NOT Llaewyn. 
I never wanted to be a writer.

In high school I took only the minimal English classes to graduate.  I focused on electronics and computer programming instead.  I went to college long enough to get an Associates degree in robotics and started an illustrious career in automation.  Everything went great for about 20 years.

One morning I woke up with an odd thought.  A sentence burned into my mind:  "Llaewyn stopped running; he knew he was going to die."

"Hmm," I thought.  "Sucks for him, I guess."  I got up, went to work, and didn't think of it again.  Until the next morning, that is.  And the next.  

After a couple weeks, I finally wrote the damned sentence down and got a few days of peace.  Instead of going away, Llaewyn kept bothering me.  Details started working their way into my mind.  It seems poor Llaewyn is an elf.  He is being pursued (and killed) by an orc named Gelrog.  He was in a swamp.  The swamp was in a forest.  A magical stone.  Casting.  Arrows.  My mind reeled as creatures I never knew forced themselves into my mind.  I was haunted, possessed.  This damned elf would not relent.

And so, intent born of misery brought me to write out a scene depicting the death of Llaewyn.  I still have that document dated August 17, 2008.  I won't share it here, although it is buried in the depths of my blog as one of my older posts.  Needless to say, none of that story still exists beyond an elf named Llaewyn (I had to keep *him*, after all), and an antagonist (no longer an orc) named Gelrog.  

It has been nearly four years and I am still working on that story.  It happens in spurts.  I go several months where I dedicate two hours every day to writing and editing.  Then I have a month where nothing happens at all.  I post on Critique Circle as well as submit to a local group of writers that meets every other Monday.  I don't have anything published, no covers to post, no links to sell anything.  All I have now is a manuscript that I should spend more time editing, and a tale of how it came to be.  

I still do all the old electronics and programming, but am begrudgingly grateful to an annoying, pain-in-the-ass elf named Llaewyn who, as his in-story character portrays, was stubborn enough to force me to listen to him when I least expected or desired.

Thanks for reading! 


****
I currently work as a Application Engineer / Controls Engineer for a small automation distributor. If you have ever watched “How It’s Made”, I write the programs that control the machines that make stuff. Four years ago, a character snuck up on me and invaded my mind. As revenge, I made him a supporting character whoe doesn't really care for the main character very much, but is forced to help her. My life hasn't been the same.

Visit J's blog at: http://jandrewjansen.com/blog/