Monday, June 16, 2014

Interview with Christopher Carrolli, author of The Third Eye of Leah Leeds

Hiya peeps! Melange Books took a chance on me about five years ago and opened the door to make my publishing dreams come true. They've given many authors that chance since then, so I wanted to give props to Melange this month by interviewing several of their authors. You'll find some great insights, tips, and new books to read along the way. Enjoy!

Where are you from and what do you do when you’re not writing?

Christopher Carrolli
I’m from Greensburg, PA, and when I’m not writing, I’m either reading, working out, or taking care of the house.

How did you come up with the idea for this book/series?

Well, after my own experiences with the paranormal, I came up with the idea for my first book, “Pipeline.” After that, the story of my investigators seemed to be ongoing, where one storyline would lead to another.

Tell us about the writing process—what were your favorite and least favorite moments?

My writing process is the first draft first, then a second draft of rewriting, then a third, and ultimately, a fourth. My favorite moments are when some line or some event in the story just falls into place, completing a puzzle, and I can call one of those drafts complete. My least favorite moment is when I forget to write a crucial moment into a scene and have to go back write it in…

What’s your favorite cure for writer’s block?

For me, I’ve always found that the easiest, most logical way to handle it is to walk away from the computer; do something else. As soon as you become enrapt in something else, it hits you.

Can you please share an excerpt? 

 Sure, Mysti. This excerpt is from my latest book, “The Third Eye of Leah Leeds.” This is the scene where Susan Logan, the Psychiatrist, encounters Cedar Manor, the house that has plagued the memories of Leah Leeds.

Now, after the late breaking of a baby-blue dawn, Susan stood under the newly risen winter sun as it glowed above the highest heights of the great house, lighting and displaying the vintage house in all of its glory. Now, she saw it up close, not briefly against the eerie backdrop of a night sky, or quickly from the road in a hastened glimpse. She had permission to enter the site past the police tape that draped the front iron-gate. She walked down the limestone pathway and stood immersed in front of its eerie opulence even under the sun.

It stood grand, erect, silently beckoning yet masquerading as a voiceless fortress in the morning sun. She marveled at the sturdy structure bathed in its chocolate hue, the Colonial arches and gables, the short but reaching spire that pointed upward at the winter sky. Here is where the third eye of Leah Leeds had budded and sprouted wide like a wild dandelion, where a child became the prey of the many hidden evils that dwelt behind its walls. Here is where a young mother took her life under the spell of possession, and where a young husband and father lost his mind, leaving his daughter to fend off the visions and demons that now enveloped her adult life.

What’s your next/current writing project?

I have just finished Book 4 of the series, “The Skinwalker’s Tale,” which will be released by Melange this year. I will be announcing a release date soon. I’ve also begun work on Book 5 of the series. That book is as yet untitled…

Here’s a totally random question for you:

 I’m on a silly haiku kick, so come up with your own silly haiku, but you must include the word “potato”.

Ok, here goes, Mysti…

A baked potato
Tastes better baked in oven
Bake and taste the past.

Thanks so much for stopping by!


Thanks for having me, Mysti.

****
Christopher Carrolli is a 2006 graduate of University of Pittsburgh at Greensburg and an English Writing major, and also the winner of the Ida B. Welles Prize in Journalism. The Third Eye of Leah Leeds is Christopher Carrolli’s third novel and third installment in The Paranormal Investigator series by Melange Books, following Pipeline and The Listener. His fourth book, The Skinwalker’s Tale, will be released in 2014.

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Saturday, June 14, 2014

Interview with Dorothy Stephens, author of Kwa Heri Means Goodbye

Hiya peeps! Melange Books took a chance on me about five years ago and opened the door to make my publishing dreams come true. They've given many authors that chance since then, so I wanted to give props to Melange this month by interviewing several of their authors. You'll find some great insights, tips, and new books to read along the way. Enjoy!


Where are you from and what do you do when you’re not writing?
Dorothy Stephens

 I live in Peabody, Massachusetts by way of New Jersey (where I grew up), Virginia; Michigan; Washington, D.C.; Syracuse, NY; Nairobi, Kenya; Dar es Salaam, Tanzania; and Marblehead,
Massachusetts.

When not writing, I read, swim, bike, go for walks on the local Rail Trail or along the ocean, and work in my garden.

How did you come up with the idea for this book/series?

 My book, A Door Just Opened, scheduled for release by Fire and Ice this August or September, is loosely based on a true event that happened over a hundred years ago in the southern New Jersey pinelands. I knew the setting well (a New Jersey farm) and either invented or based characters on blended versions of people I knew. The plot contains some bare bones true facts, but is almost entirely fiction.

Tell us about the writing process—what were your favorite and least favorite moments?

I love the moment of starting a new piece of writing, and the surge of euphoria that comes with it. The absolutely worst moments come when it’s time to start querying agents and publishers and steeling myself for the rejections.

What’s your favorite cure for writer’s block? 

I hope other writers won’t get mad at me, but I seem to have escaped that curse, at least so far. I get such joy out of writing that I’m only afraid I won’t live long enough to get it all out on paper, or rather on the computer.

Click HERE to buy it!
Can you please share an excerpt?  
      “Mama, look at me! Tell me why you’re crying!” I tried to pull her hands away from her face, but she just shook her head and went on crying.
     “I’m going to get Papa. I’ll be right back!” I called over my shoulder as I ran out the door and down the path to the barn. The bright sunlight hurt my eyes and left me momentarily blinded when I stumbled through the barn door and into the twilight gloom. My shoes rustled in the hay underfoot, and warm wet animal smells filled my nostrils along with the sweet dustiness of the hay.
     “Papa? Papa!” I called. “Where are you?”
     “Over here,” came his gruff voice, and I could see him then, forking hay into Dolly’s stall.
     He stopped, leaning on his pitchfork and mopping his face and mustache with a handkerchief. “What is it?”
     “You’d better come. Mama’s in a terrible state!”
     Papa threw down his pitchfork and started toward the door. “Why? What’s happened? What’s wrong with her?”
     “I don’t know! She’s just sitting up there in the kitchen, crying, and she won’t tell me what’s the matter.”
     Together we hurried up the path to the house. Mama was hunched over in her chair, still sobbing, but more softly now.
     “What is it, El?” Papa asked, putting his hand on her shoulder. “For God’s sake, what’s wrong?”
     “It’s Mary Ellen,” she cried, lifting a face smudged with tears. She broke into fresh sobs.


What’s your next/current writing project?

A new adult novel set in post-World War II married student housing, about the lives of the women married to men back in college on the GI Bill and the difficulties they faced: flimsy temporary wartime housing, wood stoves to cook on, coal stoves to heat the apartments, no hot water, no car, little money, and often babies and toddlers to care for. A recipe for putting strain on any marriage.

Here’s a totally random question for you:
 I'm on a silly haiku kick, so come up with your own silly haiku, but you must include the word “floppy”.

Big floppy-brimmed hat
Shields the assault from above
Lethal golden rays.


Reminds me of that heat-bowl called Florida! Thanks for stopping by!

****
BIO
I’ve been a freelance writer for the past thirty years, My articles, essays, book reviews, and profiles have appeared in numerous national journals, magazines and newspapers, including the New York Times, the Los Angeles Times, the Larcom Review, and Adventure Cyclist.  I was a finalist for the 1996 Bakeless Prize in Nonfiction and a Scholar at the 1997 Bread Loaf Writers Conference. My memoir, Kwa Heri Means Goodbye; Memories of Kenya 1957-1959 is available on Amazon, Kindle, and at Barnes & Noble.

Interview with Katrina Monroe, author of Reaper

Hiya peeps! Melange Books took a chance on me about five years ago and opened the door to make my publishing dreams come true. They've given many authors that chance since then, so I wanted to give props to Melange this month by interviewing several of their authors. You'll find some great insights, tips, and new books to read along the way. Enjoy!

Katrina Monroe
Where are you from and what do you do when you’re not writing?

I’m originally from Florida, but I currently live in Minnesota. I traded sweat and mosquitos for frost bite and
bigger mosquitos because, obviously, I am a glutton for punishment.
When I’m not writing I’m usually working , momming, or plotting revenge of some sort.

How did you come up with the idea for this book/series?

REAPER started out as a short story called BARD, about a man who has to reap a child. Then, my best friend and writing mentor, Renee Miller, came up with the BRILLIANT (sarcasm) idea to participate in NaNoWriMo, just to see what all the fuss was about. Short story became novel, became REAPER.


Tell us about the writing process—what were your favorite and least favorite moments?

My favorite part is always the initial plotting and research. The potential is endless! It’s when I get to be at my most obnoxious and over the top. It’s later, when I’m cutting and chopping and discovering how much that plot REALLY isn’t going to work, that I start to hate life, and consequently, the WIP.

What’s your favorite cure for writer’s block?

I am of the belief that writer’s block isn’t a thing. There’s no wall between you and inspiration. I do, however, occasionally fall prey to writer’s burnout. Burnout, to me, is when a writer gets so engrossed in the stress of making word count or approaching a deadline and the love of the work just kind of falls away. It’s happened to me a thousand times and the best cure is always to walk away and do NOTHING writerly. I read or binge-watch a favorite show on Netflix (Once Upon A Time is FANTASTIC) and before I know it, I’m ready to get back into the game.

Can you please share an excerpt?

Coming in September!
The only difference between Vlad’s office and the cubicles the writers occupied was a heavy, steel door impenetrable from the outside without the key or permissioned entrance. Oz raised his fist to knock, but it opened before he could make contact.

“Come in, Oz.”

Oz sat on the opposite side of a plain, wooden desk. The computer monitor took up most of the space next to an empty inbox.

“Looks like it’s your lucky day.” Vlad leaned back in his chair. His gut was a mountain.

“Looks like.”

“A trainer is on the way to pick you up. If there’s anything you want to take with you, though I can’t imagine what, now would be a good time to grab it.”

Oz considered his calendar, but shook off the idea. They could have it. “Where am I going?”

“Dirt-side, kid. You can kiss the tappity-tap brigade goodbye.”

Dirt-side. Earth. Home. It was about time.

“To do what?”

Vlad smiled, but it didn’t reach his eyes. “Reap.”

What’s your next/current writing project?

SACRIFICIAL LAMB CAKE, another urban fantasy, is set to be released from Red Adept Publishing sometime next year. As far as current projects go, I’m knee deep in two WIP’s: one a retelling of J.M. Barrie’s Peter Pan, tentatively titled, ALL DARLING CHILDREN; and a second about a DMV worker who is abducted to Canada for the purpose of making fake ID’s titled THE FORTUNATE AND TIMELY DEATH OF CLIFF ARMSTRONG.

Here’s a totally random question for you:
 I'm on a silly haiku kick, so come up with your own silly haiku, but you must include the word “swamp”.

A haiku? Seriously?
Hell’s sake. Okay. How about:

Mosquitos and dung
Breathing in water—swamp air
Florida winter.


I knew you could do it! Thanks so much for stopping by!

**** 

BIO:

Katrina Monroe is a novelist, mom, and snark-slinger extraordinaire. Her debut novel, REAPER will be available September 2014 from Melange Books.  Visit her at her blog: www.authorkatrinamonroe.wordpress.com, or follow her on Twitter, @authorkatm.

Friday, June 13, 2014

Interview with John Steiner, author of the Flipspace Series

Hiya peeps! Melange Books took a chance on me about five years ago and opened the door to make my publishing dreams come true. They've given many authors that chance since then, so I wanted to give props to Melange this month by interviewing several of their authors. You'll find some great insights, tips, and new books to read along the way. Enjoy!

Interview with John Steiner

Where are you from and what do you do when you’re not writing?
John Steiner

Tutoring at the Salt Lake Community College and chasing scientific ideas for stories or just sheer entertainment.

How did you come up with the idea for this book/series?

I was jonesing for spaceflight, and decided to do something about it. I wanted a spaceflight series that had humor, military action, a realistic future society and accurate science with exo-planets we know today are there waiting to be explored.

Tell us about the writing process—what were your favorite and least favorite moments?

My favorite moments for Flipspace were the flights of the ship, ISS Mockingbird especially takeoff. It’s a space plane with four engines for atmospheric flight and one larger engine for space. I play certain songs, like “The Fire Within” by Audiomachine, when visualizing the takeoff and typing that into the story. There is this one pause before the choir starts, and that’s the moment of switching engines and trading blue sky for space.
Least favorite moment is the chopping block, especially when an editor tells me to cut a favorite phrasing of mine and they’re correct about that.

What’s your favorite cure for writer’s block?

I generally have a soundtrack laid out for a story, and I either just listen to that and let my imagination off the leash, or I find one of my PC games to play that numbs the mind allowing a fresher perspective when I come back to the story.

Cover for Flipspace 4
Can you please share an excerpt? 

“Mission! Aten-huh,” Anders ordered.
Then the man did a left face and saluted Colonel Ramachandra, who returned it as crisply as received. She then turned toward the gathered formation with Major Fitch e’er at her shoulder.
“Crew of the ISS Mockingbird,” Colonel Ramachandra began, a truncated speech thrown together in the last thirty seconds in her head. “Your first flight isn’t going to be celebrated with any fanfare. Your friends and family aren’t seeing you off to the flight line. No bottles of wine smashed against the nose in christening. It would dirty my ship, and I don’t like that.”
That got a couple chuckles and several more grins.
“We’re going up and away in the manner on which we drilled together for a year.” Ramachandra went on in more motivational tone. “Train like you fly, and you’ll fly like you trained. Let’s go show those civie and corporate astronauts how it’s done. What’s our registry number?”
“I S S Four Five Four,” the crew sounded off with perfect unison, and added. “Click–BANG.”
“Dismissed.” Ramachandra handed the crew off to the Chief.
“Mission. As-sume launch positions… Fallout,” Chief Anders ordered.
Each flight operation crew broke out toward the debarkation and loading bay in smart order, with the mission officers and the Chief following. Men and women pounded up the ramp to the back where an airlock waited in ‘Double Open’ status.

What’s your next/current writing project?

I’m working on a different series of short stories called Alter Idem [Latin for Second Self] about two Cincinnati police detectives in a non-specific age when a major portion of society has turned into vampires, angels, giants, werewolves and fae.

Here’s a totally random question for you:
 I’m on a silly haiku kick, so come up with your own silly haiku, but you must include the word “bunny”.

Swords flung in retreat
Beheaded in a flash
Indomitable is that bunny


Hilarious! I bet this was the bunny the Monty Python crew came across. Thanks so much for stopping by! 

****
John Steiner earned his Associate of Biology at Salt Lake Community College, where he is currently working as a tutor in math and chemistry. He exercises an avid interest in history, science, philosophy, mythology, martial arts as well as military tactics and technology.

Thursday, June 12, 2014

Book Review: Haunted Chemistry by Lindsey R. Loucks

Haunted ChemistryHaunted Chemistry by Lindsey R. Loucks
My rating: 4 of 5 stars

Haunted Chemistry by Lindsey R. Loucks is a freaky and sexy novella that will make you paranoid to do laundry and will have you stocking up on salt. In typical Loucks style, there's a nice mixture of weird supernatural happenings and tense love story.

The story centers on college student Alexis, who moves into a new apartment. Lo and behold, her next door neighbor is none other than Ian, her cute-as-heck lab partner who stood her up and never came back. Now that they're sharing the same building, the two of them find that their original "chemistry" is still very much alive. The thing they discover in the basement laundry room, however, is very much NOT.

I love the way the haunting was described. It's not your usual bump in the night tale. The characters' emotions and visceral reactions felt very real as they struggled with trying to figure out what was haunting them while their attraction steamed up the pages.

Like many novellas and short stories, though, it's difficult to pull off an entire plot and neatly tie it all up in the end without leaving bits of critical information out. That's what I missed here. The climax and reveal of who and what the haunting was all about needed expansion. Twenty, maybe thirty more pages could have done that and left me more satisfied when I reached the end.

All in all, "Haunted Chemistry" is a good quick read, coming in at at little over 100 Kindle pages. As opposed to Ms. Loucks's first YA book, "The Grave Winner", this one is decidedly new adult, so I wouldn't recommend it to anyone under 17/18. Grab your own copy and give it a try!

View all my reviews

Book Review: Letters to Daniel by Amy McCorkle

Letters to DanielLetters to Daniel by Tim Druck
My rating: 5 of 5 stars

Letters to Daniel is a raw and real collection of journal entries from an author who's battled bipolar disorder and has still managed to find her way through the dark jungle of the publishing industry. Written "to" one of the author's favorite actors, Daniel Craig, Letters portrays the highs and lows of a woman dealing with mental illness while trying to succeed in a highly competitive market.

What makes this particular memoir different is that each of the "letters" originated as a blog post on a blog of the same title. I've followed the blog and have known this author for a few years now. She's an open book and very authentic when it comes to her life experiences and this shows in her entries.

I think one has to approach this particular collection differently than an actual "memoir" or autobiography. The entries are taken as is from the blog. They're fresh from the author's thoughts on that particular day. There are typos here and there, as one would expect in a personal journal entry. As I read it, the only thing I found lacking was the actual date of each entry to give us a firmer foundation of time passed.

What can be taken from it is not some grand revelation in its conclusion, but the daily struggle to overcome the obstacles set by mental illness and a tortured past. We see her victories and her failures: awards won for her hard work, countered by family conflicts and an eating disorder; the need to create, while struggling to find the money to buy the medication to keep her steady. It's raw and real, and I think it accurately portrays the life of THIS person's battle.

Others dealing with mental illness while trying to succeed in any sort of career may be able to relate to Miss McCorkle's struggles, even if their own experience is quite different. If anything, this collection may inspire others to reflect on their journey and inspire them to go after their dreams, even when social stigmas tell them they can't.

I'd recommend Letters to Daniel for adults (mentions of sexual abuse and profanity are used throughout) who want to understand what it's like to battle bipolar disorder from one person's perspective.

View all my reviews

Tuesday, June 3, 2014

A Smile Played on His Lips and He Spoke in a Deep Baritone: Some Thoughts on Writing Vocal Tones and Facial Expressions

Find it on Amazon Kindle!
Of the many things I learned from Deb Dixon's "Goal, Motivation, Conflict" workshop, this quote stuck with me the most:

"You can do anything in writing, as long as you do it well."
One thing I struggle with is describing how characters sound and their facial expressions. I think this area is one a lot of us have trouble with. If I had a nickel for every time one of my critique partners said, "But how does (s)he sound when they say this?" and "What does his/her face look like right now?" I'd have enough money to buy a year's supply of chocolate. But how often DO we need to describe facial expressions and tone of voice?

My conclusion: Not as much as you think.


As a critiquer myself, I notice wording and flow in a piece of writing more so than plots and character arcs and all that. More often than not, I see writers overusing things, whether it's adverbs, passive voice, repetitive words, and yes, tone of voice and facial expressions.

Let's see if I can show you what I mean with part of an impromptu flash fiction piece I wrote for Rebecca Postupak's "Flash Friday", not that this is a literary masterpiece in any shape or form, but here's what I might do if I was TOO mindful of tone and expression :

Lana slid the crisp paper across the patio table. “Sign these,” she barked.

“Why?” Joe whispered. His lips pursed as he stared down at the obnoxious logo: Burger, Smythe, and Villay, attorneys-at-law. 
Her eyes became narrow slits and her voice sounded like two pots banging together. “All you want is your garden and your bush mistress.” 
This is a short little snippet of dialogue, and I don't know about you, but those underlined parts really slow the pace for me. This couple is on the verge of divorce. The tension should move this along at a snappier pace. Take a look at how I really wrote it:

Lana slid the crisp paper across the patio table. “Just sign them.” 
“You don’t want this.” Joe stared down at the obnoxious logo: Burger, Smythe, and Villay, attorneys-at-law. 
“Why not? You left me a long time ago. All you want is that garden of yours and that silly bush of a mistress.”
Here we see no tone of voice and no facial expressions. What we do see is a different choice of wording to make the dialogue itself show us what these two might sound and look like as this little exchange is happening. In hindsight I think I could have also used stronger verbs to narrate their actions as well. Instead of "slid", Lana might have "shoved" the papers toward him. Joe might have "glared" down at the logo and perhaps crumpled one side of the documents in his fist. 

Put your readers
in the game!
Readers will notice ANYTHING we use too often, so do your best to show what the characters look like and sound like by using strong, appropriate dialogue and action that fits the tone of the scene. Describe the tone of voice and facial expressions in moderation and also if they are important to what's happening. For instance, if a character is lying, the tone of voice and facial expression could be tells that give them away.

Remember that the reason we read books as opposed to watching movies is so our imagination can join in and form the story in our own minds. If we feed the reader every single minute detail about how WE see the scene, their imaginations just sit there in the dugout and never get a chance to play.

For learning how to write tone of voice and facial expressions in fresh and new ways, I highly recommend Margie Lawson's workshop or lecture notes on Writing Body Language & Dialogue Cues. She refers to some really good examples and includes some unique exercises to keep your descriptions from being blah and cliche.

Now go forth and write! ~Mysti