Moving The Imaginary
Block
by
Alayna-Renee Vilmont
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| Image Source: Building the Great Pyramid |
We’ve all
been there.
You’ve
gotten the idea that you’d like to write, and you’re completely excited about
sharing your story with the world. You have all these thoughts and feelings
that are captivating, and you must
get them down on paper before they escape forever. At the first opportunity,
you open your computer screen or your journal, and all that stares back is
complete emptiness. Seriously, there’s just nothing. What happened to the
inspiration? You no longer remember that transcendent idea you had in the
shower or the brilliant phrase that popped into your head while cleaning out
the cat’s litter box. Instead, you have feelings of inadequacy, failure, and
wonder if spending time writing is the best use of your limited free time.
After all, it is clear your muse has abandoned you, and that endless loop of Law
And Order: Criminal Intent is not going to watch itself.
Does this sound familiar?
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| Image Source: WeWriteTogether.net |
Most people
call it writer’s block. Some talk about feeling uninspired, while others lament
a lack of talent and creativity. In reality, most writers are hampered not by
lazy work ethic, lack of the world’s best idea, or a desire to write. The fear
of failure and criticism, even subconsciously, keeps many creative people from
doing what they do best: creating.
We all have
an inner critic. You’ve probably met it before. It’s that voice in your head
that tells you nobody reads books anymore, so certainly nobody will read yours.
It tells you that you’re not good enough, and that everything you want to say
has already been said by someone better and smarter than you. It tells you that
writing never made anyone any real money, and if you’re doing it for a living,
you should get a real job. It reminds you of all those great works of
literature you love, of the popular series of books that’s being made into a
movie franchise, of all these wonderful things being created every day by not you. Suddenly, you find you have
nothing to say. You feel irrelevant.
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| Image Source: HenryHarveyBooks.com |
Your inner
critic is kind of a mean and horrible person. It doesn’t like anything, and it
is there to keep you from succeeding. It may lie, and say it is simply looking
after you. It will say that the best way to never face criticism is to never do
anything at all. It is your job to use whatever tools you have to fight your
inner critic, and win.
Many writers have different strategies for conquering the inner critic. Julia Cameron, of The Artist’s Way fame, recommends writing three pages in your journal every morning. It can be three pages of lists, or disconnected thoughts, or your feelings on the last episode of Breaking Bad. The important thing is to just keep writing.
Marina Keegan, the late author of The Opposite Of Loneliness, writes that she believes in setting aside three hours each day to write. If the ideas do not happen that day, she resolves to still use that distraction-free time to think and to daydream. Eventually, she believes, the words will come.
Simone de Beauvoir, one of the most prolific female writers in history, could turn out thousands of pages of literature. When asked her secret, she confided that taking breaks from “work” to write letters to friends reminded her of who she was and why she loved writing. Anais Nin kept voluminous personal diaries, and is now better remembered for those than for her literary endeavours
Writing is writing, in any form. The myth of “writer’s block” is a lie, and it’s a bad one. It’s self-defeating. The job of a writer is to communicate. Contrary to what your inner critic has to say, the only failure you can really encounter as a writer is a failure to communicate. Failure is simply not putting the words on the paper. Failure is not letting your thoughts, your ideas, and your spirit shine through. Failure is being afraid, and letting fear dictate your path.
Failure is letting your worst critic defeat you before you even start. You may notice that he or she bears a striking resemblance to you, and disappears the moment that first word is committed to the page.
Go on. Take the chance. Write a word, any word. Write another.
Trust me, Law And Order: Criminal Intent will still be there later, faithfully waiting.
Many writers have different strategies for conquering the inner critic. Julia Cameron, of The Artist’s Way fame, recommends writing three pages in your journal every morning. It can be three pages of lists, or disconnected thoughts, or your feelings on the last episode of Breaking Bad. The important thing is to just keep writing.
Marina Keegan, the late author of The Opposite Of Loneliness, writes that she believes in setting aside three hours each day to write. If the ideas do not happen that day, she resolves to still use that distraction-free time to think and to daydream. Eventually, she believes, the words will come.
Simone de Beauvoir, one of the most prolific female writers in history, could turn out thousands of pages of literature. When asked her secret, she confided that taking breaks from “work” to write letters to friends reminded her of who she was and why she loved writing. Anais Nin kept voluminous personal diaries, and is now better remembered for those than for her literary endeavours
Writing is writing, in any form. The myth of “writer’s block” is a lie, and it’s a bad one. It’s self-defeating. The job of a writer is to communicate. Contrary to what your inner critic has to say, the only failure you can really encounter as a writer is a failure to communicate. Failure is simply not putting the words on the paper. Failure is not letting your thoughts, your ideas, and your spirit shine through. Failure is being afraid, and letting fear dictate your path.
Failure is letting your worst critic defeat you before you even start. You may notice that he or she bears a striking resemblance to you, and disappears the moment that first word is committed to the page.
Go on. Take the chance. Write a word, any word. Write another.
Trust me, Law And Order: Criminal Intent will still be there later, faithfully waiting.
**************************************************
Alayna-Renee
Vilmont is a freelance writer, blogger, performer, and modern-day Renaissance
woman currently residing in Atlanta, Georgia. Her first book, “Ophelia’s
Wayward Muse”, is a poetic anthology based around the many facets of human
relationships and experiences. Alayna is also the voice behind Jaded Elegance:
The Uninhibited Adventures Of A Chic Web Geek, which has been entertaining
readers since 2000. She maintains an active presence on Facebook, Goodreads,
Twitter, and almost every other form of social media out there. Alayna has
previously appeared on this site, winning last year’s flash fiction contest and
contributing guest essays. She is also an avid devotee of Law And Order: Criminal Intent. If you’d like to follow the adventures of this
modern-day wayward muse, please stop by and visit at www.jadedelegance.net
